Bridging the Ecclesial, the Academic, and the Political
Icon painting is rightly considered to be the visual expression of the Orthodox tradition. The icon speaks of the Gospel, the liturgy, the hymnography, the saints, the dogmas, and the pedagogy of the church. Icons testify to the reality of God’s Incarnation, the image of God in each of us, and mystically lead us…
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by V.K. McCarty | български | ქართული | ελληνικά | Română | Русский | Српски “The indescribable glory of His face was changing through grace”—Menaion for August. Since the feast-day of the Mandylion Ikon of Christ, memories of encountering it have been galvanizing my prayer, recalling an extraordinary encounter meeting it on pilgrimage many years…
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by Robert Nelson | ქართულ | Ελληνικά | Română | Русский | Српски Like all Byzantine art historians, I am concerned about the conversion this year of Hagia Sophia into a mosque. Not being able to travel because of the pandemic, I only know about the current state of the building from images on the…
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by Luis Josué Salés | Ελληνικά Amid a nationwide BLM movement calling for the removal of statues and monuments that enshrine, even glorify, the genocidal, colonizing, enslaving, and imperialistic past of the United States, well-known BLM activist Shaun King tweeted that “The statues of the white European they claim is Jesus should also come down”…
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by Kassandra Ibrahim This fall, Fordham’s Museum of Greek, Etruscan, and Roman Art opened a new exhibition entitled “Distant Relatives: Ancient Imagery of the Classical Pagan Past and Modern Byzantine Icons.” The exhibition features large mixed media collages by artist Joni Zavitsanos, whose work combines the traditional aspects of Byzantine Christian iconography with motifs of modern society. I…
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Public Orthodoxy is a publication of the Orthodox Christian Studies Center of Fordham University
