by Kassandra Ibrahim

This fall, Fordham’s Museum of Greek, Etruscan, and Roman Art opened a new exhibition entitled “Distant Relatives: Ancient Imagery of the Classical Pagan Past and Modern Byzantine Icons.” The exhibition features large mixed media collages by artist Joni Zavitsanos, whose work combines the traditional aspects of Byzantine Christian iconography with motifs of modern society. I had the opportunity to explore the exhibit in depth and speak with Zavitsanos about the exhibition. Initially, some viewers may be offended by the artist’s choice to use elements of traditional Byzantine iconography in modern creations. Yet, Zavitsanos explains that her work can be seen as a break from tradition because of her drastic modifications to longstanding pictorial motifs. While Zavitsanos makes her own artistic interventions, it is not her intention to undermine the authority of Orthodox Christian imagery.

Zavitsanos’s artwork is heavily influenced by Byzantine iconography. She learned about this pictorial tradition early, since her father, Diamantis Cassis, was a Greek Orthodox Iconographer or painter of icons in the Greek Orthodox tradition. Orthodox Christianity holds certain modes for representing Christ, the Virgin Mary, and other saints to be authoritative.  Because of this, Orthodox icons feature a limited range of motifs leaving the iconographer with minimal room for individual interpretation. A Byzantine icon from the early centuries of Christianity can look much like one made today. The consistency of imagery invites viewers throughout time to understand the message that these icons are meant to communicate: the everlasting and the divine. Continue reading →