Tag Archives: VK McCarty

Venerating the Transfiguration Every Day

by V. K. McCarty | български | ქართული | ελληνικά  | РусскийСрпски

Transfiguration icon

You were transfigured on the mountain, O Christ God,
revealing Your glory to Your disciples as far as they could bear it. Let Your everlasting

Light also shine upon us sinners.
Through the prayers of the Theotokos,
O Giver of Light, glory to You!

(Troparion for Transfiguration—Tone 7)

During my Seminary days, walking into Chapel meant walking by, detouring around, the Icon of the Transfiguration. It was open on the back of a large Gothic Lesson lectern, standing in the wrought-iron entranceway to the quire in chapel, where we all sat to worship antiphonally. Day in and day out, greeting the icon and venerating it was part of my day, twice a day—even if, in my haste, I only saw Christ’s feet most of the time, as I bow with the Apostles. This simple gesture of faith was one of the ways we witnessed to our personal piety; and even, how we discovered other like-minded friends in each new class of students. I was actually there longer than most, because I worked on staff as a librarian for fifteen years and enjoyed the Divine Office, ordering my day with Scripture and praise through all of it. The sides of the icon were closed during the season of Lent; and seeing it reappear again in Easter Week, it was surprising how sweetly exhilarating it was to be bathed in its divine light again.

The light of the Transfiguration icon teaches us, as I kiss the feet of the Savior day after day, that Jesus Christ well-beloved by His Father in heaven, is always present, radiating glory into the complicated corners of our lives—not just on the feast-day, but every day. Indeed, the true astonishment about the Transfiguration scene with Jesus is that, in that moment, the Apostles are finally able to see the glory that Jesus always radiated; they are ready now in the progress of their faith to humbly receive it and participate in it.

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The Gospel of the Holy Spirit at Pentecost

by V. K. McCarty | български | ქართული | ελληνικά | Română | Русский | Српски

Duccio

“When the day of Pentecost had come, they were all together in one place.
And suddenly from heaven there came a sound like the rush of a violent wind. . .”*

The Pentecost feast-day reading from Acts (2:1-21) is absolutely galvanized with spiritual energy, isn’t it? It radiates with the brightness of faith coming into being in an extraordinary mystical experience including the whole community gathered in prayer; so that, in the words of Romanos’ Kontakion for Pentecost: “they glorified the All-Holy Spirit” (E. Lash, trans. 1995, 207). This abiding presence of God the Holy Spirit, revealed to us in Scripture, is a foundational treasure of Orthodox Christianity. It is the Holy Spirit who is leading us through the Liturgy, who gave courage to the early men and women martyrs, who guided the Ecumenical Councils, and who defined the Canon of Holy Scripture.

We are fortunate that the Acts of the Apostles was crafted so soon after the events it describes. While it is a story involving a whole panorama of remembered characters and beloved episodes contributing to the seeding and growth of the Primitive Church, it is the action of God—the living divinity of God we know as the Holy Spirit—which is most urgently, most excellently portrayed here. “It is no exaggeration to conclude that Early Christians looked upon the Holy Spirit as the chief external witness to the presence of Christ’s reign” (J.T. Koenig, Charismata: God’s Gifts for God’s People, 1978, 73). In fact, Acts might better be titled “The Gospel of the Holy Spirit.”

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The Resurrection Miracle Revealed to the Myrrhbearers

by V. K. McCarty | български | ქართული | ελληνικά | Русский | Српски

icon

The first rising of the sun in the East shoots rose light across the dim landscape; it is a time the early monks knew well, for a prayer service was starting, when the bell-ringer could just begin to see the lines in his hand. The Evangelist Mark leaves us in the Garden by the Tomb of Christ, at what may be the most extraordinary moment in history. For it was when those vivid shards of dawn light shot through the darkness from the East that Mary Magdalene and the other women came bearing myrrh to properly finish the burial preparations for their dear Lord, Jesus. As they approached, the Evangelist says they were anxious about how they would gain access to the tomb, for the stone was heavy.

Then, something profoundly miraculous happened. The Myrrhbearing women experienced something life-changing. All four Gospels describe the moment. Although each tells it a little differently, the message is so profound, and so utterly seminal to our life as Christians, that the details fall away and something utterly transcendent has happened and is revealed. And we too experience it personally and transcendently at Pascha. It is so luminously divine that it can only be described as something like a flashing white angelic figure—like lightning, really—a vision so powerful that the stone is moved and the empty tomb is visible; and in some dazzling way, the women suddenly know to depth of their hearts—He is not dead. Surely, this is the first truly apophatic apprehension of the Resurrection. He is not here! He is not dead! Christ is alive! And the radiant angel cried out to the Myrrhbearers: “Why do you women mingle myrrh with your tears? Look at the tomb and understand: the Savior has risen from the dead!” (Tone 2; Stichera of the Myrrh-bearers, Pentecostarion, for Myrrhbearers Sunday)

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Anticipating Kassia’s Cosmic Hymn

by V.K. McCarty | български | ქართული | ελληνικά | Русский | Српски

Foot washing

In preparing to participate in the services leading to Pascha, a memorable element of the Liturgy for many of the faithful is the Hymn of St. Kassia (ca.810-ca. 865 CE), “Lord, the Woman Fallen into Many Sins.” It is remembered as a heartwarming centerpiece of the Tuesday Evening service, and sung as the Doxostikon of the Aposticha, when the Wednesday “Bridegroom Matins,” is offered. The robust popularity of the “Kassiani,” as the hymn itself is often called, may stem from its appealing melody and the opportunity it provides for the chant to be elaborated on the tune with flourishes of extemporaneous melismatic ornaments which leave worshippers spellbound. Emotional urgency simmers through the story in light of the approaching Passion of Our Lord.

Because the text cries out from the inner landscape of the woman’s soul, there is a graceful fluid commingling in it of both the Gospel women who anoint Jesus at supper, the one in Luke read at the service (7:36-50) and the one in Matthew (26:6-13) as well; and, it is the same haunting amalgamation of women used by St. Romanos in his longer metrical homily, the kontakion, “On the Harlot.” So, this is a hymn rich with paradox and parallels, and a credit to the scriptural literacy of the Orthodox listener. Like Romanos, Kassia gives voice to the woman, here praising God for the majesty of Creation:

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